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Oh, Mary! - Lyceum Theatre - New York City, September 26th, 2025

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Oh, Mary! Tickets

About Oh, Mary!

Oh, Mary! Is a comedy play written and originally performed by American comedian Cole Escola. The show takes a sharply funny, highly theatrical look at the lives of Abraham Lincoln and Mary Todd Lincoln, using history as a springboard for an offbeat, contemporary spoof. Set in the days leading up to Lincoln’s assassination while he and Mary are preparing to see the play Our American Cousin at Ford’s Theatre, the story imagines what might have been happening behind the scenes in their marriage and personal lives.

Instead of a solemn historical drama, audiences get a darkly comic portrait of two public figures under pressure. At the center of Oh, Mary! Is Mary Todd Lincoln, portrayed as a temperamental alcoholic trapped in an unhappy relationship with a deeply closeted President Lincoln. The play follows her desperation to reclaim her past glory as a cabaret star, turning the First Lady into a brash, complicated performer who is as interested in applause as she is in politics.

The title Oh, Mary! Comes from a slang phrase that has circulated among gay men for decades, signaling the show’s connection to queer culture and camp humor. That sensibility runs through the writing, the performances, and the way the play reimagines historical icons through a modern, irreverent lens.

For ticket buyers, this means Oh, Mary! Is not a traditional period piece. It is a comedy that uses familiar figures to explore identity, performance, and desire, with Cole Escola’s own voice and onstage presence shaping the entire experience.

Upcoming Oh, Mary! Events

Act history

Oh, Mary! Began its life off-Broadway, directed by Sam Pinkleton. In this initial run, Cole Escola not only wrote the play but also performed in it, giving audiences an early look at the specific blend of historical parody and queer comedy that would come to define the show.

The off-Broadway production was staged at the Lucille Lortel Theatre. This venue became the first home for the play’s full staging, where its tone, pacing, and character dynamics could be tested in front of New York theatergoers. The combination of Escola’s writing and performance with Pinkleton’s direction helped establish the show’s identity and build word-of-mouth momentum.

As audiences and critics responded to the off-Broadway run, Oh, Mary! Made the significant leap to Broadway. The show opened on Broadway on July 11, 2024, at the Lyceum Theatre. Moving into this historic Broadway house marked a major step in the play’s trajectory, signaling that its offbeat premise and comedic style had found a wide enough audience to sustain a commercial run at a larger scale.

The Broadway transfer brought the play to a broader mix of theater fans, including visitors who plan trips around seeing new productions. At the Lyceum Theatre, Oh, Mary! Could be experienced with full Broadway production values while still retaining the intimate, actor-driven energy that characterized its earlier staging at the Lucille Lortel Theatre.

Critical response on Broadway was strong. Oh, Mary! Earned critical acclaim, which helped solidify its reputation among both comedy and theater audiences. This acclaim translated into major recognition in the American theater world when the play was named a finalist for the Pulitzer Prize for Drama.

Being singled out in this way placed Oh, Mary! Alongside some of the most talked-about new plays of its season. The awards conversation continued at the Tony Awards, where Oh, Mary! Received five nominations. These nominations underscored that the play was not only a cult favorite but also a serious contender in the broader Broadway landscape.

Among these nominations, two wins stand out for ticket buyers who follow awards as a guide to what to see. Oh, Mary! Won the Tony Award for Best Direction of a Play, recognizing the work of its director in shaping the tone, pacing, and staging that make the comedy land with audiences.

It also won the Tony Award for Best Actor in a Play for Cole Escola. This win was especially notable because Escola became the first non-binary winner in that category, adding a historic milestone to the show’s story. These awards and recognitions matter for anyone considering tickets because they signal that Oh, Mary!

Has been evaluated and celebrated by major institutions in the theater world. The combination of a Pulitzer Prize finalist nod and multiple Tony nominations and wins suggests that the play offers both entertainment and craft at a high level. The play’s reach did not stop with Broadway.

Oh, Mary! Crossed the Atlantic to be produced in London’s West End, one of the world’s leading centers for commercial theater. In the West End, the show continued to connect with audiences, demonstrating that its specific blend of American history, queer humor, and cabaret-infused performance style could resonate outside the United States.

The West End production went on to win the Laurence Olivier Award for Best Entertainment or Comedy Play in 2026. The Olivier Awards are a major benchmark for theater in London, and this win placed Oh, Mary! Among the standout productions of its season. For international theater fans, this recognition confirmed that the play’s appeal extends across different theater traditions and audiences.

As the show has traveled and evolved, its core elements have remained consistent: Cole Escola’s writing and original performance, Sam Pinkleton’s direction, and the central conceit of reimagining Mary Todd Lincoln as a frustrated, alcohol-fueled cabaret performer on the brink of a national tragedy. Each new production, whether off-Broadway, on Broadway, or in the West End, has given audiences a chance to see how this concept plays out in different theatrical contexts.

When you look at upcoming dates in cities like New York, London, San Francisco, Los Angeles, Chicago, Boston, and others where it appears on the schedule, you are seeing the latest chapter in a history that began in a smaller off-Broadway house and grew into an award-winning international hit. The variety of venues, from the Lyceum Theatre in New York to Trafalgar Theatre in London and regional theaters such as the Curran Theatre, Ahmanson Theatre, CIBC Theatre, Emerson Colonial Theatre, the National Theatre in Washington, DC, and the Ordway Music Theater in Saint Paul, reflects how the play has expanded beyond its original run.

For ticket buyers, this history offers a practical guide: if you prefer seeing a show in its Broadway home, you can look for performances at the Lyceum Theatre. If you are based in or visiting London, a West End staging such as at Trafalgar Theatre connects you to the Olivier-winning production tradition.

In other cities, engagements at major theaters bring the same acclaimed script and comic premise closer to you without requiring a trip to New York or London.

Notable facts

One of the most notable aspects of Oh, Mary! Is its awards trajectory. The play was named a finalist for the Pulitzer Prize for Drama, a distinction that places it among the most respected new works of its time. For many theatergoers, a Pulitzer connection signals that a play offers more than surface-level laughs, combining comedy with deeper themes and strong writing.

At the Tony Awards, Oh, Mary! Received five nominations, underlining its impact on the Broadway season in which it opened. Two of those nominations turned into wins. The Tony Award for Best Direction of a Play recognized the director’s role in balancing historical parody, character work, and timing so that the humor lands consistently across performances.

The Tony Award for Best Actor in a Play went to Cole Escola for their performance. This win was historically significant because Escola became the first non-binary performer to win in that category. For audiences interested in representation on major stages, this milestone is an important part of the show’s story and adds another layer of meaning to seeing Escola’s work live when they are in the cast.

Oh, Mary! Has also been honored in the United Kingdom. The West End production won the Laurence Olivier Award for Best Entertainment or Comedy Play in 2026. The Olivier Awards are a key measure of success in London theater, so this win confirms that the show’s humor and concept translate effectively for West End audiences as well as Broadway crowds.

The play’s subject matter is another notable point for ticket buyers. By focusing on Mary Todd Lincoln as a temperamental alcoholic with an unfulfilled desire to return to her cabaret roots, the show reframes a historical figure often depicted in more restrained or tragic terms.

Pairing her with a deeply closeted Abraham Lincoln creates a dynamic that allows the play to explore queerness, performance, and public image through a comedic lens. The setting in the days just before Lincoln’s assassination, while the couple is preparing to attend Our American Cousin at Ford’s Theatre, adds tension and irony to the comedy.

Audiences come in knowing the historical outcome, which lets the play playfully undercut expectations while still acknowledging the gravity of the moment in American history. The title itself, drawn from a slang phrase used among gay men for decades, signals the show’s connection to queer communities and camp traditions.

For many theatergoers, this context helps explain the style of humor and the heightened, exaggerated performances that are part of the show’s appeal. From a practical standpoint, another notable fact is the range of venues that have hosted or are scheduled to host Oh, Mary!

Beyond its original off-Broadway and Broadway homes. In New York, the Lyceum Theatre is the Broadway venue associated with the show’s major awards run. In London, the play has been staged in the West End at venues such as Trafalgar Theatre, aligning it with other commercial hits.

Elsewhere, theaters like the Curran Theatre in San Francisco, Ahmanson Theatre in Los Angeles, CIBC Theatre in Chicago, Emerson Colonial Theatre in Boston, the National Theatre in Washington, DC, and the Ordway Music Theater in Saint Paul have been listed among locations where Oh, Mary! Appears on schedules.

This spread shows that the play is not limited to one city or country but has been adapted for multiple major stages. For someone deciding whether to buy tickets, these facts combine to paint a clear picture. Oh, Mary! Is a comedy that has been validated by major awards bodies in both the United States and the United Kingdom.

It offers a distinctive take on well-known historical figures, shaped by Cole Escola’s writing and performance and by Sam Pinkleton’s direction. Its journey from the Lucille Lortel Theatre off-Broadway to the Lyceum Theatre on Broadway and then to the West End and other prominent venues suggests that you are looking at a show with both critical acclaim and staying power.

If you follow award-winning productions, care about non-binary representation on major stages, or are drawn to theater that mixes historical settings with contemporary queer humor, these notable facts can help you decide that Oh, Mary! Belongs on your list when it comes to choosing tickets.

Venues for Oh, Mary!

Frequently Asked Questions

Where has Oh, Mary! Been performed?
Oh, Mary! Premiered off-Broadway at the Lucille Lortel Theatre under the direction of Sam Pinkleton. It then transferred to Broadway, opening at the Lyceum Theatre on July 11, 2024. The play later moved to London’s West End, where it has been staged at venues such as Trafalgar Theatre. Beyond New York and London, it appears on schedules at major theaters in cities including San Francisco, Los Angeles, Chicago, Boston, Washington, DC, and Saint Paul, giving audiences multiple options to see it without necessarily traveling to Broadway or the West End.
What awards has Oh, Mary! Won?
Oh, Mary! Has received significant recognition. It was named a finalist for the Pulitzer Prize for Drama, highlighting the strength of its writing. At the Tony Awards, it earned five nominations and won Best Direction of a Play and Best Actor in a Play for Cole Escola, who became the first non-binary winner in that acting category. In London, the West End production won the Laurence Olivier Award for Best Entertainment or Comedy Play in 2026.
Who stars in Oh, Mary.
Cole Escola wrote Oh, Mary! And originally performed in it, playing a central role in bringing the show’s comedic vision to life onstage. Casting can vary by production and city, so if you want to confirm who is performing in a specific engagement, check the details for that date and venue before purchasing tickets.
How can I find Oh, Mary! Tickets?
You can browse upcoming Oh, Mary! Dates in cities such as New York, London, San Francisco, Los Angeles, Chicago, Boston, Washington, DC, and others. Use the event list on this page to select your preferred city and venue, then follow the prompts on the listing page to view available tickets and complete your purchase.

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